To Sir, With Love

Those who have seen this awesome movie, must be remembering this awesome song, sung by Lulu. Of course, if you have read the original awesome autobiographical book by E. R. Braithwaite, it is a triple whammy for you.

If you haven't heard of any - my suggestion would be to find the best route - go for the movie.

The original film poster was very funny and naughty, though. The punch line goes like this - "A story as fresh as the girls in their minis...and as cool as their teacher had to be!"

Enjoy the lyrics.

Those schoolgirl days, of telling tales and biting nails are gone,
But in my mind,
I know they will still live on and on,
But how do you thank someone,
Who has taken you from crayons to perfume?
It isn't easy, but I'll try,

If you wanted the sky I would write across the sky in letters,
That would soar a thousand feet high,
To Sir, with Love

The time has come,
For closing books and long last looks must end,
And as I leave,
I know that I am leaving my best friend,
A friend who taught me right from wrong,
And weak from strong,
That's a lot to learn,
What, what can I give you in return?

If you wanted the moon I would try to make a start,
But I would rather you let me give my heart,
To Sir, with Love

You can listen to this song, with a wonderful slide show of the movie, over here.

I first heard of the book when I saw an excerpt of it - as a comprehension passage - in my Standard IX English text book called Bagchi Test Papers. It was the boxing scene between the teacher and the pupil. Then, I remember Hemant telling me something about it.

In a quick, related and lucky chain of events, the movie suddenly appeared on Doordarshan. It tugged my heart, and the nostaligia is so very fresh and overbearing.

The complete book I read much later. I had a lot of spare time at IIT, unlike others, you see :-) Incidentally, courtesy an offbeat movie secretary at the IIT, who took a lot of pains to search for rare classics, I could see this movie again. I would love to see it again and again. Its a collector's item. It was this secy, through him I discovered the other classics like The Scent Of A Woman, The Diary of a Hitman etc.

Sidney Portier, the lead actor looked tailor made for the job. I still remember some of the other names like Suzy Kendall, Lulu, the singer, who also played a small part, and this song was rated the top chartbuster for that year.

I am not sure if this was the effect from this movie, but respect for one of my teachers increased tremendously, roughly at the same time. I have previoulsy done a full post on her.

The Music Tag

When Juneli tagged me at first, I thought it to be an easy tag. Not to be, at all. But yes, for once, I am glad I am tagged for this.

Your favorite lyricist and the lyrics you remember the most
A tough tag notwithstanding, and here comes the toughest question in the beginning it self. Toughest because unlike Deepak, I won't like the song unless I don't like its lyrics.

My preference for a composition goes like this: Lyrics > Singer > Music. In fact, even if there is a minimal music, because when I am deeply enjoying a song, I stop registering its music. For eg - the song from Shankar Hussain - Bahut Khoobsoorat, Magar Sanwli Si.

Here, I must also agree that I have strong gender bias towards male voice - a different form of male chauvanism.

And considering there have been so many genius lyricist around, it is difficult to name one. So like Deepak, I would also put up a list.

Shailendra: Definitely he should top the list. A commonner's lyricst, I should say. Like Deepak said, no difficult words, only simple Hindi/Urdu. I think it is tough thing to catch masses imagination without heavy words, and he did. Each songs of the movies like अनाडी , Guide, मधुमती are immortal now.

His song from यहुदी - ये मेरा दीवानापन हैं, या मोहब्बत का सुरुर is one of my favourites, but the song whose lyrics I enjoy the most is from the film सीमा sung hauntingly by Manna Dey, and music by Shankar Jaikishan - तू प्यार का सागर है, तेरी एक बूंद के प्यासे हम.

Gulzar: What to say? The only living genius of lyrics today. इजाजत in my opinion, is his best album ever. आंधी, घर come close . His metaphors are still fresh and different. I never knew one can write with water(खामोश सा अफसाना, पानी से लिखा होता) or cut the clouds( बादलों से काट काट के) or for that matter one can burn a cigarette with Liver(Bidi Jalai Le Jigar Se Piya). They are many such examples.

But the first among equals in his lyrics turns out to be heart-wrenching - ऐ मेरे प्यारे वतन, ऐ मेरे बिछडे चमन from काबुलीवाला. Incidentally, another Manna Dey song. This song is one example where you can't ignore any of these - lyrics, singer, music.

Bharat Vyas: Here I would like to mention one particular song whose lyrics and singing I can never forget - ऐ मालिक तेरे बंदे हमfrom दो आंखे बारह हाथThis one song will last for centuries, no matter what happens to Hindi as the language.

There are so many lyrcist I want to talk about, like -

Hasrat Jaipuri(he and Shankar Jaikishan have created riot together, especially the songs from आरजू)
Sahir Ludhiyanawi(प्यासा, हम दोनो, कभी कभी, चित्रलेखा, हमराज etc),
Shakeel Badayuni(Bees Sal Baad, चौदहवी का चांद etc)
Majrooh Sultanpuri(कुदरत , काला पानी, CID, अभिमान etc),
Kaifi Azami(कागज के फूल , हीर रांझा, अर्थ etc),
Anand Bakshi(हिमालय की गोद में etc )
Indivar( सरस्वती चंद्र)

But then this post will stretch beyond Illiad & Homer.

Your favorite song on friendship
The song from जंजीर- यारी हैं इमान मेरा, यार मेरी जिंदगी Sung by, guess who, Manna Dey.

Best song(s) portraying life’s emotion
Classic Anand Bakshi - जिंदगी के सफर में, गुजर जाते है जो मकाम from आप की कसम and मन रे तू काहे ना धीर धरेfrom चित्रलेखा written by Sahir Ludhiyanawi and immortalized by Mohd Rafi.

Which song are you humming today?
None.

Song(s) which brings tears to your eyes
1) The song from Raja aur Runk, sung by Lata Mangeshkar and written by Anand Bakshi - Tu Kitni Achhi Hai, Tu Kitni Bholi Hai, Pyari Pyari Hai, O Maa, O Maa.
(Especially, the lines - Maa Bachhon Ki Jaan Hoti Hai. Woh Hote Hain Kismat Wale Jinki Maa Hoti hai.)

2)The other song is from Hare Rama Hare Krishna, written by Anand Bakshi - Phoolon Ka Taron Ka, Sabka Kehna Hai.
(I love the line Dekho Hum dono Hain Ek Dali Ke Phool..)

3)And again the song from आप की कसम - जिंदगी के सफर में, गुजर जाते है जो मकाम.

A song which gives you hope, a reason to try again and again, a reason to say that life is beautiful

Maine Kaha Phoolon Se Hanso To Woh Khil Khilakar Hans Diye from the movie मिली penned by fellow Lucknowite - Yogesh.

When you want to be with yourself, silent and content but with music, which song would that be?
My ultimate favourite song from the film हम दोनो -मैं जिंदगी का साथ निभाता चला गया written by Sahir Ludhiyanawi and music by Jaidev.

If you have to express love with a song which would that be?
1)Again it involves Manna Dey, with Lata Mangeshkar from चोरी चोरी written by romance specialist Hasrat Jaipuri - आ जा सनम, मधूर चाँदनी में हम
2)The other one is from कुदरत - हमे तुमसे प्यार कितना, ये हम नही जानते

Five songs which you listen to the most
Not any particular list of five songs, but these are my favourite ones -
1)मैं जिंदगी का साथ निभाता चला गया
2)अभी ना जाओ छोडकर, के दिल अभी भरा नही
3)हम बेखुदी में तुम को पुकारे चले गए
4) Nishana Chook Na Jai, Zara Nazron Se Keh Do Ji
5) हम है राही प्यार के हम से कुछ ना बोलिए

A song for the person who tagged you
My song for her would be ना मुँह छुपा के जियो और ना सर झुका के जियो from Humraz.

Omkara

I really believe that Gulzar is the last of the titans remaining in the gradually dying art of film lyrics. Latest example is his genius in Omkara.

The lyrics in the title song of Omkara has a local significance related to the history of the region - Uttar Pradesh - where the movie has been based. The particular line - Dham Dham Dhadak Dhadaiyya Re, Sabse Badey Ladaiyya Re...

This line is taken from a ballad - Allha - which is very popular in the Bundelkhand region of Uttar Pradesh and Madhya Pradesh, but its singers are spread beyond the region too. Allha and Udal were two extremely brave, Khshatriya warriors brothers in the service of Raja Piramal of Mahoba(a district near Jhansi). They were contemporary of king Prithviraj Chauhan.

They fought against Prithviraj Chauhan to save Mahoba from latter's aggression and even defeated him once, but in yet another battle younger brother Udal loses his life, while Allha who was said to be immortal retires to the forests, after killing Prithviraj's son.

This very long ballad narrates the story of their valour. Its singing style is very dynamic and full of the flavour of war(Veer Ras), and singers are always men. These narrators have a great voice, & lungs and they create such a fervour that could bring goose flesh.

Bappi Lahiri lifted the tune of this ballad for a song in the movie Dalal - Mar Mar Gaye Phokat Mein, Arey Koi To Humko Diyo Batayi...if you remember the song.

Omkara is also the story of warriors, though of the gangster category. Gulzar maps the situation very well. Had this been written by Javed Akhtar, Prasoon Joshi or Maya Govind who are localites, then still I could have digested this.

But how on the earth did Gulzar heard of this ballad! I am sure not many of my state friends would have heard of this. I happen to know just because I have the major village connections, and happen to be of the same caste of these gentlemen.

Not only this song, but every other song in the movie has a local essence which I think would go well along with the movie. Of course, the director cum script writer cum music director Vishal Bharadwaj, another localite, would have helped a great deal.

Like the song Namak is a Thumri which his wife Rekha Bharadwaj sang with great variations. Thumri, along with Kathak, is the gift which Nawabs gave to the music. It was a very popular style of singing by the courtesans of the previous era.

Gulzar has done this before in Bunty aur Bubbly. Every Kanpuriya will connect with this particular phrase of the title song - Aisa Saga Nahin, Jisko Thaga Nahin....

This is a very popular catch phrase of the famous Mithai shop in Kanpur - Thaggu Halwai at Parade Chauraha. Even that shop has been shown in the movie.

Sincerely, Gulzar is a class apart.

Chhota Sheher(contd.)

As Priyangini said, I am mighty bugged by this big-small city nonsense. They are not even clear about the geography of these cities, not sure what gives them license to talk like this. I wanted to say more but didn't have much time that day.

It is proven that quality of life almost certainly takes the dip for worse when one moves from one city to other. Until then, you lived in a perfectly protected environment. You had a pretty settled life. You had a good friend circle with whom you spent your leisure time. And you had your family.

Move to another big city. Now you have an employment. But then you will have to house yourself in an apartment one third of the size you are used to live in. Workplace or downtown will be three times as much distant. Food will always be substandard, with a stomach bug perfectly implanted in you intestines.

Cost of living shoots infinitely. Rent will hit you hard, until you pack like sardines. Eleven months deposit is another tale of woe. Food is costly unless you can cook. Traveling cost is phenomenal, and add to that those doctored meters these autowallahs here possess, I am sure there take home is more than mine. You will call home long distance every now or then, and you will certainly send home some money. That's the least one can do.

Now want to buy a property? Take a cool 20-25 lakh loan for the miniscule flat in the remote suburbs of the city. Rest of the lives, they are slave of their vehicles and cellphone. I have seen people driving four KM to buy milk, and making five calls for the elusive plumber. Not to forget that twenty year EMI.

I am yet to know a family who has completely migrated with their sons and daughters. My mother and sister came here, stayed two years, had enough if it and returned back. There is huge difference in comforts and culture. And mind you, this is Pune, still a relatively small city. Had there been a larger city, more the problems.

These guys here have never exactly lived much away from home to understand the pain of getting detached from your roots. Everything they get is on platter. They don't understand what a long distance call is, and what it feels like making a more than twenty four hour journey every two or three times a year.

And yes, those steps are more loaded than the suitcases which we carry when we begin our return journey from home.

Typical on this immigrant situation is the song from the movie Godaan, sung beautifully by Mohd Rafi. Lyrics are in Bhojpuri are by Anjan, and music by Pandit Ravi Shankar. Lyrics are typically rural, but not hard to understand if given second read.

The Rising

May be I am missing something. The album is out, and people (mostly at blogs) are loving it. To me, apart from Mangal Mangal, rest of it appears to be a pedestrian stuff. Not a great Rehmaan fan anyway. Swadesh was even worse.

Seeing the promos, the movie seems to be more filmi, than realistic. Not sure if it is just promo editing that is bad. Needless to say, I am disappointed. I sincerely hope that the movie rises above its mediocre album and the promos.

Chanda Mama Door Ke...

Not sure whether many of us remember this song. My mother used to sing it for me, and later for my little sis. Those days(some 12-15 years back), it was quite a regular in Vividh Bharti.

Basically, this song is from the movie Vachan(1955). It was music director Ravi Sharma's first movie. Lyrics were written by Ravi himself, and it was hummed by Asha Bhonsle.

Incidentally, Ravi is one composer who has given us the immortal tunes for almost every occasion. For our birthdays he has gifted ‘Hum Bhi Agar Bache Hote’. The ultimate Shaadi song on which every one of us must have danced - ‘Aaj Mere Yaar Ki Shaadi Hai', has also been immortalized by Ravi. The Vidai Geet on which every married lady must have cried buckets, and would-be-marrying ones will do the same -'Babul Ki Duaen Leti Ja’ is another claim to Ravi's fame.

Coming back to this classic, 'Chanda Mama Door Ke' is one for the lullaby section. It's an ultimate kiddo song. Apparently, the kid aka 'Munna' is not so happy with his situation. To placate him, mother is promising 'moon' to him. Not sure about the 'Munna', but my sister soon called our bluff. She would wisely insist on something earthly.

Here are the lyrics for your children, and for those 'Non Applicables' yet, it will bring the fond memories back.

Mehngayi Maar Gayi

Consider this.

A litre of petrol in Pune: 46.43/-
A litre of petrol in Delhi: 39.99/-

Road Tax for a Santro in Pune: 20000/-
Road Tax for a Santro in Kanpur: 8000/-

House Tax For 1000 sq ft Flat in Pune: 3100/-
House Tax For 24000 sq ft Bunglow in Lucknow: 1200/-

The list goes on. On the current sitution, two songs come to my mind - First from Film: Paigham, Music: C. Ramchandra, Lyrics: Kavi Pradeep, Voice: Mohd. Rafi. I don't remember the complete lyris.

Kaise Diwali Manai Hum Lala
Apna To Barah Mahine Diwala
Ham To Hue Dekho Than Than Gopala
Apna To Barah Mahine Diwaala...

The other one is from Film: Roti Kapda Aur Makaan, Music: Laxmikant-Pyarelal, Lyrics: Varma Malik, Voice: Mukesh, Lata, Narendra Chanchal, Jani Babu Qawwal.

The Voice of God

"Bekraar Karkey Humey Yun Na Jaaiye Aapko Humari Kasam Laut Aaiye..."

When a voice as mesmerizing as this says to you, I guess, absolutely nobody will go. Personally, if this song comes on TV/Radio, I don't budge. As music director Salil Chowdhari famously remarked about him - 'If God were to sing, he would have sung in the voice of Hemant Kumar.

Remember the haunting - "Tum Pukar Lo, Tumhara Intezaar Hai.." from Khamoshi or "Na Tum Humey Jaano, Na Hum Tumhe Jaane.." from Baat Ek Raat Ki? It really sounds like the voice of God.

Often it seems that there is a lot of pain in his voice, but it adds so much value to the songs. A good example is "Jane Woh Kaise Log The Jinkey Pyar Ko Pyar Mila.." from Pyasa. It was a very beautifully sung song that speaks volume about the desperate love life of the protagonist of the movie.

At the same time he fishes out lovely romantic numbers like the naughty "Hai Apna Dil To Awara Na Jane Kis Per Aayega.." from Solwan Saal, or haunting "Yeh Raat Yeh Chandini Fir Kahan.." from Jaal with elan.

But my personal favourite is "Nishana Chook Na Jai Zara Nazron Se Keh Do Ji.." from, again, Bees Saal Baad. Music is by Hemant Kumar himself. The lyrics are perfect by Shakeel Badayuni. One can't write better than this. But the killer punch is given by the singer.

In between this song, there are a few lines which the singer doesn't sing, but actually speaks. There you hear the real Hemant Kumar. It is, gosh, so captivating. These types of voices rule the world. And the way he renders those sentences is also very different.

My father had old sony audio cassette(remember those green ones ?) of a live performance by him. Use to hear it again and again when I was a kid. This song kind of grew on me since those days. From my college days, I remember at least one person who is a bigger fan of Hemant Kumar is Ishan. I remember giving him a Hemant Kumar audio cassette for his birthday, which ironically was lost by me. He has never forgiven me for that.

Here are the lyrics of this lovely song. Enjoy.

Zara Nazron Se Keh Do Ji Nishaana Chook Na Jaye
Zara Nazron Se Keh Do Ji
Maza Jab Hai Tumhari Har Ada Qaatil Hi Kehlaye
Zara Nazron Se Keh Do Ji

Qaatil Tumhe Pukarun Ke Jaan-E-Vafa Kahun
Hairat Mein Pad Gaya Hoon Ke Maein Tum Ko Kya Kahun
Zamaana Hai Tumhaara
Zamaana Hai Tumhaara Chaahe Jiski Zindagi Le Lo
Agar Mera Kaha Maano To Aise Khel Na Khelo
Tumhaari Is Sharaarat Se Na Jaane Kis Ki Maut Aaye
Zara Nazron Se Keh Do Ji

Haye, Kitni Maasoom Lag Rahi Ho Tum
Tumko Zaalim Kahe Vo Jhootha Hai
Ye Bholaapan Tumhaara
Ye Bholaapan Tumhaara Ye Sharaarat Aur Ye Shokhi
Zarurat Kya Tumhen Talwaar Ki Teeron Ki Khanjar Ki
Nazar Bhar Ke Jise Tum Dekh Lo Vo Khud Hi Mar Jaye
Zara Nazron Se Keh Do Ji

Hum Pe Kyun Is Qadar Bigadti Ho
Chhedhne Vaale Tumko Aur Bhi Hain
Bahaaron Par Karo Gussa Ulajhti Hain Jo Aankhon Se
Havaaon Par Karo Gussa Jo Takraati Hain Zulfon Se
Kahin Aisa Na Ho Koi Tumhaara Dil Bhi Le Jaye
Zara Nazron Se Keh Do Ji

Tum Jo Mil Gaye Ho ..

.. is a beautiful, haunting song is from the film Hanste Jakhm. No points for guessing that the movie was produced Chetan Anand as the leading lady was a deadpan Priya Rajvansha.

Coming back to the song. I reckon this is one of the most romantic song ever written. The lyricist is great Kaifi Azmi. The song is full of some very lovely similes and metaphors, yet very simple. For example, "Ek Bhatke Hue Rahi Ko, Karwan Mil Gaya", "Ek Sureela Nagma Ho", "Bheegi Raton Mein Masti, Tapte Dil Pe Saya Ho". Terrific work.

Mohammad Rafi did full justice to the lyrics and music. The way he has moved to high pitch, and then came down effortlessly to lower one is amazing. It is he who gives the haunting touch to the song. For example how well he switches from "Ek Bhatke Hue Rahi Ko" to "Karwaan Mil Gaya". Fantastic.

But the real magic is created by the music director, Madan Mohan, who else. The genius saw the opportunity to immortalize those lovely lyrics, and he did something very unconventional. He actually recorded the sound of sea waves live, and used them in the song. Not once it appears in the song that this is an outside studio work.

In all, the song took 22 hours in a stretch to record. Such an effort, that too in lesser films require tremendous self belief and motivation. Enjoy the lyrics.

Two Gems

I had talked about a few non-devotional prayers in Hindi films a few months ago. Had also mentioned my top favourite is Ai Malik Tere Bandey Hum from Do Ankhey Barah Haanth.

The other two favourites include - Hum Ko Man Ki Shakti Dena from Guddi, and Itni Shakti Humey Dena Data from Ankush. I was thinking about putting up the lyrics, and here they are.



There are two version of this song in the movie. I have clubbed them together. One has been sung by Pushpa Paagdhare and Sushma Shreshtha(Poornima), while other in male voice has been sung by Kuldeep Singh, the music director of the film himself.



My Previous Post On Prayers - Prayer

Prayer

Music channels have been showing a prayer from the movie Swadesh. 'Pal Pal Hai Bhaari', with Ram Leela background is a commendable attempt in this age. There was 'O Palanharey' in Lagaan as well which fitted with the mood of the situation.

The trend of prayers in movies was, in a way, 'rejuvenated' by Lata's magnificent rendering of 'Ek Tu Hi Bharosa Ek Tu Hi Sahara' in Anil Kapoor's Pukar. Earlier, every third movie use to have a prayer.

'Tu Pyar Ka Saagar' from the movie Seema, sung beautifully by Manna De, makes the part of my earliest memories. 'Allah Tero Naam' from Hum Dono is a jewel in Lata's crown. Rafi graced 'Sukh Ke Sab Sathi' in Gopi.

One of my all time favourites is Guddi's 'Humko Man Ki Shakti Dena', sung by Vani Jairam, written by Rajkamal and composed by Bhajan specialist Vasant Desai. The prayer-cum-song which continues to appeal me is 'Itni Shakti Hamein Dena Daata' from the movie Ankush.

But the mother of all prayers and my all time favourite is the one and only - 'Ai Malik Tere Bande Hum' from V.Shantaram's Do Ankhen Barah Haath, written by Bharat Vyas and set to music by, who else, Vasant Desai. Both the versions of Lata and Manna De are great to hear, and often bring tears.

Here are the lyrics to relive this master piece.
Aai Malik Tere Bande Hum, Aise Ho Hamaare Karam
Nekii Par Chalen, Aur Badi Se Talen
Taaki Hanste Huye Nikale Dum

Jab Zulamon Ka Ho Saamnaa, Tab Tu Hi Hamein Thaamnaa
Vo Buraai Karen, Hum Bhalaai Bharen
Nahin Badale Ki Ho Kaamnaa
Badh Uthe Pyaar Ka Har Kadam
Aur Mite Bair Ka Ye Bharam
Neki Par Chalen, Aur Badi Se Talen
Taaki Hanste Huye Nikale Dum

Badaa Kamazor Hai Aadami, Abhi Laakhon Hain Isamein Kamin
Par Tuu Jo Khadaa, Hai Dayalu Bada
Teri Kirpaa Se Dharti Thami
Diyaa Tuney Hamein Jab Janam
Tuu Hi Jjhelegaa Hum Sabke Gam
Neki Par Chalen, Aur Badi Se Talen
Taaki Hanste Huye Nikale Dum

Ye Andhera Ghana Chhaa Raha, Tera Insaan Ghabaraa Rahaa
Ho Rahaa Bekhabar, Kuch Na Aataa Nazar
Sukh Ka Suraj Chhupaa Jaa Rahaa
Hai Teri Roshani Mein Vo Dam
Jo Amaavas Ko Kar De Poonam
Neki Par Chalen, Aur Badi Se Talen
Taaki Hanste Huye Nikale Dum

Nazuk Si Ladki

There are songs and there are songs. I have listened and enjoyed many a songs but this one is special. It's mesmerizing. Penned, tuned and sung in such a manner that while listening, it involves your complete attention. You simply cannot do anything else.

Song is not that popular because it's from a forgettable film called Shankar Hussain with some even more forgettable actors. Rafi's voice is Godly, Khayyam's tunes are soothing, while lyrics by Kamal Amrohi(who was, incidentally Meena Kumari's husband and Pakeeza's director and dialogue writer) are simple and phenomenal. Enjoy them.


Kahin Ek Masoom Nazuki Si Ladki
Bahut Khoobsoorat, Mangar Sanwli Si, Bahut Khoobsoorat..
Mujhey Apne Khwabon Ki Bahon Mein Paaker, Kabhi Neend Mein Muskarati To Hogi
Usi Neend Mein Kas-masakas-kasa-ker, Sirahney Se Takiya Girati To Hogi
Kahin Ek Masoom Nazuki Si Ladki..

Wahi Khwaab Din Ki Mudheron Per Aaker, Usey Man-Hi-Man Mein Lubhate To Honge
Kayi Saaz Seeney Ki Khamoshion Mein, Meri Yaad Se Jhanjhanti To Hongey
Woh Besakhta Dheemey Dheemey Suron Mein, Meri Dhun Mein Kuchh Gungunati To Hogi
Kahin Ek Masoom Nazuki Si Ladki..

Chalo Khat Likhe Ji Mein Aata To Hoga, Magar Ungliyan Kap-kapati To Hongi
Kalam Haanth Se Chhooot Jata To Hoga, Umangey Kalam Fir Uthati To Hongi
Mera Naam Apni Kitabon Pey Likh Ker, Woh Daton Se Ungli Dabati To Hogi
Kahin Ek Masoom Nazuki Si Ladki..

Zuban Se Kabhi Uff Nikalti To Hogi, Badan Dheemey Dheemy Sulagta To Hoga
Kahin Ke Kahin Paanv Padtey To Hongey, Zamin Per Duppata Latakta To Hoga
Kabhi Subah Ko Shaam Kehti To Hogi, Kabhi Raat Ko Din Batati To Hogi

Kahin Ek Masoom Nazuki Si Ladki, Bahut Khoobsoorat, Mangar Sanwli Si.

Those who want listen to the song, you can find it here.